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Australian Opera Chorus and Elizabethan Sydney Orchestra production of Donizetti's opera

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In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

Glorious comedy and impeccable coloratura combine in Donzetti’s La fille du régiment, incarnated by Marie, the feisty tomboy raised by a regiment of French soldiers. What can stand in the path of true love for Tonio is the young Swiss villager who conquers her heart - and nails a few high Cs on the way? Director Luis Ernesto Doñas sets the action in central America, turning the revolutionary French fighting against conservative Tyrol into the struggle for Cuban liberation. Cuba as a place where two worlds confront and clash, a colourful one projected into the future and the other in black and white locked in nostalgic feelings about the past.

Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.

Marie was found on a battlefield as a baby, and raised by the entire 21st Regiment as their 'daughter'. Her foster-father Sulpice has decreed that she should marry a soldier from the Regiment. When Marie falls for the Tyrolean Tonio, it looks as though she may have to choose between her family and true love.

On the day Clémence realizes that no one has ever admired her, her father dies. Lulled by the illusions of the remnants of a complicated childhood, Clémence has no choice but to rebuild her self-esteem, which she never thought could be so low. When fate brings her together with a certain Paul, whom everyone nicknames Paul Pot because of his strong tendency toward tyranny, Clémence asks herself the only question that matters: is this the right person?